Neil Shipley on Swedish culture – the strange, the special and the sublime
My book is doing really well, which I’m very proud of. You can buy it on Amazon, Bokus, Akademibokhandeln and Adlibris amongst other online stores. Sweden, by Neil Shipley, published by Kuperard 2021.
I still have a few copies left, so if you’d like to buy a signed copy, just let me know!
A new book is being released tomorrow. Villa, Volvo, Vovve is the Local newspaper’s word guide to Swedish life. The book looks at Swedish culture through Swedish vocabulary and is interesting and entertaining in equal measure. I learned a lot and laughed out loud quite a few times!
Organised alphabetically, the book takes you on a journey from ‘A’, meaning ‘yes, I agree’ to ‘Ö’ meaning ‘island’. Along the way it stops off at Swenglish, False Friends, grammar, pronunciation and a variety of crosswords and quizzes to test the reader. It is not a text book but is a great book for dipping into and learning more about Swedish culture and tradition via its language.
The book is edited by Catherine Edwards and Emma Löfgren and published by Lys Förlag. If you are interested in discovering more about Swedish words and sayings then I suggest you grab a copy from tomorrow at reputable book shops, physical and on-line.
In English when we conceal a smile, we sometimes use the expression ‘to laugh in my sleeve’. This is the approximate meaning of ‘att le i mjugg’. Most Swedes, however, don’t know what ‘mjugg’ means as it is a rather odd word.
‘Mjugg’ is an old word which was first noted in the 1500’s. Meaning ‘in secret’, or ‘on the sly’, it is thought to either come from German or English. The German word ‘mucken’ means to smile or mumble. An old English expression ‘hugger-mugger’ meant clandestine. In regional Swedish, the word ‘mugg’ exists – meaning ‘in secret’.
So, ‘att le i mjugg’ means ‘to smile in secret’, probably with contempt and at somebody else’s expense.
I have just finished reading Mustafa Panshiri’s 2021 book ‘7 Råd Till Mustafa’. If you understand Swedish, I strongly recommend you read it.
Mustafa Panshiri came to Sweden as a child from Afghanistan. In his book, he cleverly weaves his own experience of integration with seven pieces of advice he wishes he would have been given. This makes the book not only interesting to read, but very practical and useful. He has an non ‘Western-centric’ perspective which I found fascinating to read about and reflect over.
Aimed at readers who want to understand Swedish culture, and integrate into society, the book is also relevant to Swedes. Panshiri includes sections with advice to ‘Svenssons’.
Integration is a complex issue and Mustafa Panshiri does not claim to solve all of the problems. However, with this book, and his endless youth outreach work, he will clearly make a difference.
The book can be bought on line and at good book shops.
Currently, many places in Sweden are experiencing warmer summer-like temperatures. The sun is shining, the air is warm but the leaves on the trees are golden brown. Known in English as Indian Summer, this brief, warm spell in the autumn is, in Swedish, called a ‘Britt Summer.’ It has nothing to do with Britain as you might assume but something completely different.
To be an official Britt Summer, the warm spell has to roughly coincide with the 7th October. This date is known as Birgitta Day, or Britt Day in the Swedish calendar – hence the name. The day celebrates the canonisation of Swedish Saint Birgitta. Legend has it that Saint Birgitta thought the temperature in Sweden was too cold so she prayed for the citizens of the country. And the Lord answered her prayer by providing everybody with a few extra days of summer!
These warm, sunny days are very welcome – the last throws of summer, before we are plunged into darkness and winter takes us in its grasp.
Interestingly, and oddly, Britt Summer is also known as ‘Fattigmanssommar’ (Poor man’s Summer) and Grävlingsommar (Badger Summer).
If anyone knows the reason why, please share it with us!
On Sunday, Lars Vilks, a controversial Swedish artist was killed in a car crash on a motorway in Sweden. Police are investigating the death for suspicious circumstances. It seems as if a tire exploded causing his car to break the central barrier and crash head on into an oncoming lorry. In the vehicle with him were two policemen – his protection.
Lars Vilks had 24-hour police protection as he was living under a fatwa issued by al Qaida. The price on his head was 100,000 USD and an extra 150, 000 if the perpetrator slit his throat.
The fatwa was a response to a series of drawings that Lars Vilks produced in 2007 in a local art show. His pictures depicted the prophet Muhammad, something that is considered blasphemous in anti-iconic Islamic tradition. To create double impact, Vilks depicted the prophet as a so-called ‘roundabout dog’ – a type of street art in Sweden. Depicting the prophet as a dog was deemed extra offensive. It caused such a local and international response that some newspapers in Sweden printed some of his drawings in articles about freedom of speech – causing even more fury.
The whole Lars Vilks case generated huge debate around issues of freedom of speech, respect, art, censorship, religious influence and terror. Throughout the years, he was the victim of many attacks and murder attempts, including bombing and arson.
The catalyst for Vilks’ work was the ‘Jyllands-Posten Muhammad cartoons controversy’ which began after the Danish newspaper Jyllands-Posten published 12 editorial cartoons in 2005. Most of the pictures showed Muhammad. The newspaper announced that this was a debate about criticism of Islam and self-censorship. Muslim groups in Denmark complained, and the issue eventually led to protests around the world, including violent demonstrations, deaths and riots in some Muslim countries.
Vilks saw the specific response to his cartoons as part of the artwork itself. All of the consequences, all the reactions, all of the outrage and all of the violence was an integral part of the art, and a political comment. By that definition, even this blog has become a part of the artwork.
One can, however, wonder if he thought it was worth it in the end.
Lars Vilks was 75 when he died, and he produced a great deal of other work during the decades. He was always conceptual and often controversial and the debate he contributed to will continue long after his death.
Watching the Swedes 